Super Six Reverb CFA7106 (silverface)
 A33000 to A37000 - 1971
 A37000 to A50500 - 1972
 A50500 to A68000 - 1973
 A68000 to A99999 - 1974
 A81000 to A99999 - 1975

FENDER SUPER SIX REVERB Silver face, 6x10"  The Freddie King Amp ! RARE 1972 EX+

Fender advert for two (then) new amps the Quad and Super Six. Both were 100w models with 4 and 6 speaker cones respectively.
Fender's new Super Six Reverb and Quad Reverb Two new names to add to the growing list of famous Fender amps like the Twin Reverb. In fact, these two new amps owe their heritage to the Twin Reverb. They feature the same circuitry as the Twin with new speaker configurations and features such as the Master Volume control.

Model/Circuit Number:
Years of Production:
1972 - 1979
Era: Silverface
Configuration: Combo
Controls: Silver, forward facing w/ blue labels
Knobs: Black skirted w/ chrome center, numbered 1 - 10

Front: Normal: In, In, Bright Sw, Vol, Treb, Mid, Bass - Vibrato: In, In, Bright Sw, Vol, Treb, Bass, Rev, Speed, Intensity - Master Vol - Pilot Lamp

Rear: AC Outlet, Ground Sw, Fuse (2½A), Power Sw, Standby Sw, Speaker Jack, Ex. Speaker Jack, Vibrato Jack, Reverb Jack, Reverb Out, Reverb In

Cabinet Dimensions: 40 x 26 x 11 Hardware: Large Chassis Straps 5 5/8'' Handle: 2 Black Strap Handles (Sides) Feet: Casters Corners: Corner Protectors

Covering Material Tolex/Tweed: Black Tolex Grill Cloth: Blue Sparkle Grill Cloth Logo: Grill mounted, raised, chrome & black script
Weight: 98 lbs.
 Size: 6 x 10 Impedance: 5.2 ohms Model: Oxford 10L6, or CTS 10

Effects: Reverb, Tremolo
~Watts: 100 or 135 watts
Pre amp: 7025 Power: 4 x 6L6GC Bias: Fixed with Bias Pot. Rectifier: Solid State

Fender used the 4 ohm output transformer from the Twin even though the Super Six Reverb's speaker load was 5.2 ohms. A Line Out jack, hum balance pot, and a pull boost sw. were added near the end of the models run.

John Frusciante set amp